
Nordic Resonance
Nordic Resonance carries the textures and sound world of the Nordic landscape of The Shetland Islands into theatres and performing spaces through an immersive sound performance fusing music, electronics and field recordings.
“Nordic Resonance is a contemporary sonic postcard of a place that I lived in for the past six years where I had the opportunity to immerse myself in the island’s natural environment and to gather an extensive sound library over an extended period of time. Shetland’s natural environment fed into the creation of this new work, and since the sounds of nature are ever changing and never repeating, Richard and I felt that our own playing should reflect this sense of impermanence. Each performance is created in the moment, allowing a new conversation between nature and music to unfold every time we perform.”
Renzo Spiteri

At the geographic crossroads between Scotland and Scandinavia where the Atlantic Ocean meets the North Sea, The Shetland Islands are distinguished by a landscape of natural magnificence, bird calls, whale song, the force of the wind, and the ever-changing moods of the coastline and the sea. Using sound as a lived experience of place and developed through deep listening and extended engagement with the Shetland environment, Nordic Resonance explores how sound can carry the presence of landscape and its atmosphere beyond the place of origin and into theatres and performance spaces.
Environmental sounds, whether presented in their pure form or transformed into abstracted textures, are key elements that shaped the creation of Nordic Resonance, with the musicians responding to, reacting against, and creating counterpoints to the field recordings. The result is a conversation: between environment and artist, between sound and sensation, between what is heard and what lies just beneath. Instruments, found sounds, and live processing blur the lines between the human and the elemental creating an immersive invocation of place through sound, and offering a space for resonance and reflection, where audiences can slow down and listen closely.
Renzo Spiteri’s performance practice is expansive, weaving percussion, found objects, live electronics, and improvisation into richly textured experiences. Winner of the 2025 Royal Television Society Craft and Design Award (Sound - Non-Scripted) and a 2025 Emmy® News and Documentary Nominee (Outstanding Sound - Documentary), Renzo has over three decades of international performance experience, performing across genres ranging from spoken word and world music to jazz, classical, and experimental work.
Praised by Gramophone Magazine for his “primal, at times ecstatic state of Fauvist force,” Richard Craig has developed a distinctive approach to contemporary flute performance. He has collaborated with renowned ensembles such as Musikfabrik, Klangforum Wien, and the Riot Ensemble, and is a noted improviser and educator, currently serving as Director of Performance at the University of Edinburgh.
Photos: Elisa Von Brockdorff shot at Spazju Kreattiv (Malta)
Audience Feedback
"a very meditative and therapeutic collection of sounds"
"Immersive"
"the performance was full of surprises and unique in its character"
"I felt like I was taken on a wild walk through space and time"
"excellent evening at Spazju Kreattiv wrapped in the soundscape created by Renzo Spiteri and Richard Craig ... if music could paint, this is what it would sound like"
Project type
Experimental, improvised music
Created by
Renzo Spiteri (percussion, field recordings, electronics, sound design)
Richard Craig (flutes, electronics)
2025, Shetland (UK)
Acknowledgements
Performances of Nordic Resonance in Malta, Shetland and Glasgow in Jan/Feb 2026 were supported by the National Lottery through Creative Scotland.
Events
Launch performance:
The Old Hairdressers (Glasgow), June 2025
Performed at:
Spazju Kreattiv (Malta), January 2026, part of Spazju Kreattiv programme 2025/2026.
Mareel (Shetland, UK), February 2026
The Old Hairdresser's (Glasgow, UK), February 2026















